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THUNDER POINT
For Showtime/The Movie Channel, based on the Jack Higgins novel
of the same name. The Hollywood Reporter writes "The Third Reich
was tough enough, and writers keep threatening with yet a fourth,
as in Jack Higgins' boisterous novel "Thunderpoint".......and cinematographer
Peter Benison gets taut tension."
NIGHT OF THE TWISTERS
USA TODAY writes "The Family Channel
blew away its previous record with a tornado pic, Night of the Twisters,
in February when broadcasters traditionally unleash their best stuff."
The Hollywood Reporter writes, "The
film features outstanding special effects that thrust the extraordinary
fury of tornadoes in your face. Early shots of the sky and clouds
and day footage of tornadoes touching down all set up the main event
of "Night of the Twisters" to be convincing and involving. Post
production sound effects are especially slick, supporting the visual
images to bring a high level of credibility to the pictures."
NO ONE COULD PROTECT HER
Daily Variety writes "Tech credits
are tops, especially Peter Benison's emotive camerawork."
GONE IN A HEARTBEAT
Daily Variety writes "Vidpic looks
genuine with its Alberta locales, which Peter Benison's lensing
captures effectively."
FOR LOVE ALONE
The Hollywood Reporter writes "The
production values are superb, with a montage of polished, sophisticated
images that satisfy the curiosity as well as the senses."
THE ACCIDENT
The Hollywood Reporter writes "The
Accident, A Moment of Truth Movie" is well photographed and sincerely
acted....."
UPS & DOWNS
- The Edmonton Sun
..with Almond’s sense of pacing and with some splendid photography
from Peter Benison, UPS & DOWNS ultimately becomes a satisfying
experience. Variety also says of UPS
& DOWNS Peter Benison’s camerawork is first rate throughout
  
 
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